The Works of Charles Lamb: In Two Parts, Том 2 |
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Сторінка 1
TAKING a turn the other day in the Abbey , I was struck with the affected attitude
of a figure , which I do not remember to have seen before , and which upon
examination proved to be a whole - length of the celebrated Mr. Garrick . Though
I ...
TAKING a turn the other day in the Abbey , I was struck with the affected attitude
of a figure , which I do not remember to have seen before , and which upon
examination proved to be a whole - length of the celebrated Mr. Garrick . Though
I ...
Сторінка 2
But the reflection it led me into was a kind of wonder , how , from the days of the
actor here celebrated to our own , it should have been the fashion to compliment
every performer in his turn , that has had the luck to please the town in any of the
...
But the reflection it led me into was a kind of wonder , how , from the days of the
actor here celebrated to our own , it should have been the fashion to compliment
every performer in his turn , that has had the luck to please the town in any of the
...
Сторінка 6
may be judged from that delightful sensation of freshness , with which we turn to
those plays of Shakspeare which have escaped being performed , and to those
passages in the acting plays of the same writer which have happily been left out ...
may be judged from that delightful sensation of freshness , with which we turn to
those plays of Shakspeare which have escaped being performed , and to those
passages in the acting plays of the same writer which have happily been left out ...
Сторінка 7
The glory of the scenic , art is to personate passion , and the turns of passion ;
and the more coarse and palpable the passion is , the more hold upon the eyes
and ears of the spectators the performer obviously possesses . For this reason ...
The glory of the scenic , art is to personate passion , and the turns of passion ;
and the more coarse and palpable the passion is , the more hold upon the eyes
and ears of the spectators the performer obviously possesses . For this reason ...
Сторінка 25
The great' ness of Lear is not in corporal dimension , but in intellectual : the
explosions of his passion are terrible as a volcano : they are storms turning up
and disclosing to the bottom that sea , his mind , with all its vast riches . It is his
mind ...
The great' ness of Lear is not in corporal dimension , but in intellectual : the
explosions of his passion are terrible as a volcano : they are storms turning up
and disclosing to the bottom that sea , his mind , with all its vast riches . It is his
mind ...
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acting admirable affect appears beauty believe Belvil body brought character cloth comes common criticism death delight Edition English Enter Essays excellent express face feeling figure Footman genius give Hamlet hand head heart Hogarth honour hope human images imagination interest judge kind knowledge known Lady Landlord late least leave less letters living look Lord manner master mean Melesinda mind moral nature never object observation once original pass passion performed person picture play pleasure poet poor present published reader reason respect scene Second seems sense serve Shakspeare shew sort soul speak spirit stage Street strong suffer sweet tell thing thought tion true truth turn volume Waiter whole wonder
Бібліографічна інформація
| Назва | The Works of Charles Lamb: In Two Parts, Том 2 Том 2 з серії The Works of Charles Lamb, Charles Lamb The Works of Charles Lamb: In Two Parts, Charles Lamb |
| Автор | Charles Lamb |
| Видавець | C. and J. Ollier, 1818 |
| Оригінал із | Університет штату Огайо |
| Оцифровано | 24 трав. 2013 |
| Експортувати бібліографічний опис | BiBTeX EndNote RefMan |