The Works of Charles Lamb: In Two Parts, Том 2 |
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Сторінка 16
Yet such is the actor's necessity of giving strong blows to the audience , that I
have never seen a player in this character , who did not exaggerate and strain to
the utmost these ambiguous features , —these temporary deformities in the ...
Yet such is the actor's necessity of giving strong blows to the audience , that I
have never seen a player in this character , who did not exaggerate and strain to
the utmost these ambiguous features , —these temporary deformities in the ...
Сторінка 43
... contrasted without violence , and expressed without immodesty , which is worth
all the strong lines against the harlot's profession , with which both parts of this
play are offensively crowded . A satirist is always to be suspected , who , to make
...
... contrasted without violence , and expressed without immodesty , which is worth
all the strong lines against the harlot's profession , with which both parts of this
play are offensively crowded . A satirist is always to be suspected , who , to make
...
Сторінка 53
But upon the common and received opinion , the author ( or authors ) have
engrafted strong fancy . There is something frightfully earnest in her invocations
to the Familiar . CYRIL TOURNEUR . The Revengers ' Tragedy .-- The reality and
life ...
But upon the common and received opinion , the author ( or authors ) have
engrafted strong fancy . There is something frightfully earnest in her invocations
to the Familiar . CYRIL TOURNEUR . The Revengers ' Tragedy .-- The reality and
life ...
Сторінка 57
Who can be so strong ? The expression of this transcendant scene almost bears
us in imagination to Calvary and the Cross ; and we seem to perceive some
analogy between the scenical sufferings CONTEMPORARY WITH
SHAKSPEARE ...
Who can be so strong ? The expression of this transcendant scene almost bears
us in imagination to Calvary and the Cross ; and we seem to perceive some
analogy between the scenical sufferings CONTEMPORARY WITH
SHAKSPEARE ...
Сторінка 87
... that I were a mockery king of snow , To melt before the sun of Bolingbroke , ” if
we have been going on pace for pace with the passion before , this sudden
conversion of a strong - felt metaphor into something to be actually realized in
nature ...
... that I were a mockery king of snow , To melt before the sun of Bolingbroke , ” if
we have been going on pace for pace with the passion before , this sudden
conversion of a strong - felt metaphor into something to be actually realized in
nature ...
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