The Works of Charles Lamb: In Two Parts, Том 2 |
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Сторінка 4
... but of the motives and grounds of the passion , wherein it differs from the same
passion in low and vulgar natures , of these the actor can give no more idea by
his face or gesture than the eye ( without a metaphor ) can speak , or the muscles
...
... but of the motives and grounds of the passion , wherein it differs from the same
passion in low and vulgar natures , of these the actor can give no more idea by
his face or gesture than the eye ( without a metaphor ) can speak , or the muscles
...
Сторінка 11
Those who tell me of him , speak of his eye , of the magic of his eye , and of his
commanding voice : physical properties , vastly desirable in an actor , and
without which he can nevér insinuate meaning into an auditory , -- but what have
they to ...
Those who tell me of him , speak of his eye , of the magic of his eye , and of his
commanding voice : physical properties , vastly desirable in an actor , and
without which he can nevér insinuate meaning into an auditory , -- but what have
they to ...
Сторінка 18
And in fact , who does not speak indifferently of the Gamester and of Macbeth as
fine stage performances , and praise the Mrs. Beverley in the same way as the
Lady Macbeth of Mrs. S. ? Belvidera , and Calista , and Isabella , and Euphrasia ...
And in fact , who does not speak indifferently of the Gamester and of Macbeth as
fine stage performances , and praise the Mrs. Beverley in the same way as the
Lady Macbeth of Mrs. S. ? Belvidera , and Calista , and Isabella , and Euphrasia ...
Сторінка 26
... are there in Shakspeare , which though more tractable and feasible ( if I may so
speak ) than Lear , yet from some circumstance , some adjunct to 26 ON
SHAKSPEARE'S TRAGEDIES :
... are there in Shakspeare , which though more tractable and feasible ( if I may so
speak ) than Lear , yet from some circumstance , some adjunct to 26 ON
SHAKSPEARE'S TRAGEDIES :
Сторінка 32
But to think by the help of painted trees and caverns , which we know to be
painted , to transport our minds to Prospero , and his island and his lonely cell ; *
or by the aid of a fiddle dexterously thrown in , in an interval of speak* It will be
said ...
But to think by the help of painted trees and caverns , which we know to be
painted , to transport our minds to Prospero , and his island and his lonely cell ; *
or by the aid of a fiddle dexterously thrown in , in an interval of speak* It will be
said ...
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