The Works of Charles Lamb: In Two Parts, Том 2 |
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Сторінка 7
Talking is the direct object of the imitation here . But in all the best dramas , and in
Shakspeare above all , how obvious it is , that the form of speaking , whether it be
in soliloquy or dialogue , is only a medium , and often a highly artificial one ...
Talking is the direct object of the imitation here . But in all the best dramas , and in
Shakspeare above all , how obvious it is , that the form of speaking , whether it be
in soliloquy or dialogue , is only a medium , and often a highly artificial one ...
Сторінка 14
... only worthy object of tragedy , —that common auditors know any thing of this ,
or can have any such notions dinned into them by the mere 14 ON
SHAKSPEARE'S TRAGEDIES .
... only worthy object of tragedy , —that common auditors know any thing of this ,
or can have any such notions dinned into them by the mere 14 ON
SHAKSPEARE'S TRAGEDIES .
Сторінка 17
... even to its heart's dearest object , in the language of a temporary alienation ;
but it is not alienation , it is a distraction purely , and so it always makes itself to
be felt by that object : it is not anger , but grief assuming the appearance of anger
...
... even to its heart's dearest object , in the language of a temporary alienation ;
but it is not alienation , it is a distraction purely , and so it always makes itself to
be felt by that object : it is not anger , but grief assuming the appearance of anger
...
Сторінка 23
of any alleviating circumstances in his case to make him a fit object of mercy . Or
to take an instance from the higher tragedy , what else but a mere assassin is
Glenalvon ! Do.v we think of any thing but of the crime which he commits , and the
...
of any alleviating circumstances in his case to make him a fit object of mercy . Or
to take an instance from the higher tragedy , what else but a mere assassin is
Glenalvon ! Do.v we think of any thing but of the crime which he commits , and the
...
Сторінка 30
... when we see these creatures upon a stage , seems to be a sort of
indemnification which we make to ourselves for the terror which they put us in
when reading made them an object of belief , when we surrendered up our
reason to the poet ...
... when we see these creatures upon a stage , seems to be a sort of
indemnification which we make to ourselves for the terror which they put us in
when reading made them an object of belief , when we surrendered up our
reason to the poet ...
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