The Works of Charles Lamb: In Two Parts, Том 2C. and J. Ollier, 1818 |
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Сторінка 7
... object of the imitation here . But in all the best dramas , and in Shakspeare above all , how obvious it is , that the form of speaking , whether it be in soliloquy or dialogue , is only a medium , and often a highly artificial one ...
... object of the imitation here . But in all the best dramas , and in Shakspeare above all , how obvious it is , that the form of speaking , whether it be in soliloquy or dialogue , is only a medium , and often a highly artificial one ...
Сторінка 14
... cor- respondence to a great or heroic nature , which is the only worthy object of tragedy , —that com- mon auditors know any thing of this , or can have any such notions dinned into them by the mere 14 ON SHAKSPEARE'S TRAGEDIES .
... cor- respondence to a great or heroic nature , which is the only worthy object of tragedy , —that com- mon auditors know any thing of this , or can have any such notions dinned into them by the mere 14 ON SHAKSPEARE'S TRAGEDIES .
Сторінка 17
... object , in the language of a temporary alienation ; but it is not alienation , it is a distraction purely , and so it always makes itself to be felt by that object : it is not anger , but grief assuming the appear- ance of anger ...
... object , in the language of a temporary alienation ; but it is not alienation , it is a distraction purely , and so it always makes itself to be felt by that object : it is not anger , but grief assuming the appear- ance of anger ...
Сторінка 22
... objects of meditation rather than of interest or curiosity as to their actions , that while we are reading any of his great criminal char- acters , Macbeth , Richard , even Iago , we think not so much of the crimes which they commit ...
... objects of meditation rather than of interest or curiosity as to their actions , that while we are reading any of his great criminal char- acters , Macbeth , Richard , even Iago , we think not so much of the crimes which they commit ...
Сторінка 23
... object of mercy . Or to take an instance from the higher tragedy , what else but a mere assassin is Glenalvon ! Do we think of any thing but of the crime which he commits , and the rack which he deserves ? That is all which we really ...
... object of mercy . Or to take an instance from the higher tragedy , what else but a mere assassin is Glenalvon ! Do we think of any thing but of the crime which he commits , and the rack which he deserves ? That is all which we really ...
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1st Footman 1st Gentleman 1st Lady 2d Footman 2d Gentleman 2d Lady 2d Waiter acting admirable appetite beauty Belvil character cloth countenance creature death deformity delight dramatic Edition Essays express eye of mind face fancy feeling FRENCH LANGUAGE genius Gin Lane give Hamlet hang heart Hogarth Hogsflesh Honest Whore honour human humour images imagination innocence John Tomkins judge Landlord Lear less letters living Lord lover Madam melancholy Melesinda Middleton mind mirth moral Mother Damnable nature ness never Othello painter passion person PHILIP MASSINGER picture play pleasure poet poetical poetry poor published Rake's Progress reader Reflector Regent Street satire scene seems sense Serjeant Talfourd servants Shakspeare shew shewn sion sort soul speak spectators stage sweet Tamburlaine TEMPLEMAN thing THOMAS MIDDLETON thought tion tragedy truth ture virtue WILLIAM ROWLEY wonder