The Works of Charles Lamb: In Two Parts, Том 2C. and J. Ollier, 1818 |
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... manner , the actor with the character which he represents . It is difficult for a frequent play- goer to disembarrass the idea of Hamlet from the person and voice of Mr. K. We speak of Lady Macbeth , while we are in reality thinking of ...
... manner , the actor with the character which he represents . It is difficult for a frequent play- goer to disembarrass the idea of Hamlet from the person and voice of Mr. K. We speak of Lady Macbeth , while we are in reality thinking of ...
Сторінка 7
... manner talk themselves out of it again , have always been the most popular upon our stage . And the reason is plain , because the spectators are here most palpably appealed to , they are the proper judges in this war of words , they are ...
... manner talk themselves out of it again , have always been the most popular upon our stage . And the reason is plain , because the spectators are here most palpably appealed to , they are the proper judges in this war of words , they are ...
Сторінка 21
... manner of playing it , and it lets us into the secret of acting , and of popular judgments of Shakspeare derived from acting . Not one of the spectators who have witnessed Mr. C.'s exertions in that part , but has come away with a ...
... manner of playing it , and it lets us into the secret of acting , and of popular judgments of Shakspeare derived from acting . Not one of the spectators who have witnessed Mr. C.'s exertions in that part , but has come away with a ...
Сторінка 35
... manner in which she dismisses the guests in the banquet - scene in Macbeth : it is as much re- membered as any of her thrilling tones or im- pressive looks . But does such a trifle as this enter into the imaginations of the readers of ...
... manner in which she dismisses the guests in the banquet - scene in Macbeth : it is as much re- membered as any of her thrilling tones or im- pressive looks . But does such a trifle as this enter into the imaginations of the readers of ...
Сторінка 37
... manners , rather than masques and Arcadian pastorals , with their train of abstractions , unimpassioned deities , passionate mortals - Claius , and Medorus , and Amintas , and Amarillis . My leading design was , to illustrate what may ...
... manners , rather than masques and Arcadian pastorals , with their train of abstractions , unimpassioned deities , passionate mortals - Claius , and Medorus , and Amintas , and Amarillis . My leading design was , to illustrate what may ...
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WORKS OF CHARLES LAMB IN 2 PAR Charles 1775-1834 Lamb,W. H. Campbell,J. F. D. Crichton Stuart Попередній перегляд недоступний - 2016 |
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1st Footman 1st Gentleman 1st Lady 2d Footman 2d Gentleman 2d Lady 2d Waiter acting admirable appetite beauty Belvil character cloth countenance creature death deformity delight dramatic Edition Essays express eye of mind face fancy feeling FRENCH LANGUAGE genius Gin Lane give Hamlet hang heart Hogarth Hogsflesh Honest Whore honour human humour images imagination innocence John Tomkins judge Landlord Lear less letters living Lord lover Madam melancholy Melesinda Middleton mind mirth moral Mother Damnable nature ness never Othello painter passion person PHILIP MASSINGER picture play pleasure poet poetical poetry poor published Rake's Progress reader Reflector Regent Street satire scene seems sense Serjeant Talfourd servants Shakspeare shew shewn sion sort soul speak spectators stage sweet Tamburlaine TEMPLEMAN thing THOMAS MIDDLETON thought tion tragedy truth ture virtue WILLIAM ROWLEY wonder