The Works of Charles Lamb: In Two Parts, Том 2 |
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Сторінка 3
... to what pitch a passion is becoming ; to give the reins and to pull in the curb
exactly at the moment when the drawing in or the slackening is most graceful ;
seems to demand a reach of intellect of a vastly different extent from that which is
* It ...
... to what pitch a passion is becoming ; to give the reins and to pull in the curb
exactly at the moment when the drawing in or the slackening is most graceful ;
seems to demand a reach of intellect of a vastly different extent from that which is
* It ...
Сторінка 4
... of the passion , wherein it differs from the same passion in low and vulgar
natures , of these the actor can give no more idea by his face or gesture than the
eye ( without a metaphor ) can speak , or the muscles utter intelligible sounds .
... of the passion , wherein it differs from the same passion in low and vulgar
natures , of these the actor can give no more idea by his face or gesture than the
eye ( without a metaphor ) can speak , or the muscles utter intelligible sounds .
Сторінка 9
But Hamlet himself -what does he suffer meanwhile by being dragged forth as the
public schoolmaster , to give lectures to the crowd ! Why , nine parts in ten of what
Hamlet does , are transactions between himself and his moral sense , they ...
But Hamlet himself -what does he suffer meanwhile by being dragged forth as the
public schoolmaster , to give lectures to the crowd ! Why , nine parts in ten of what
Hamlet does , are transactions between himself and his moral sense , they ...
Сторінка 11
... or Lillo , retaining the process of the story , but totally omitting all the poetry of it
, all the divine features of Shakspeare , his stupendous intellect ; and only taking
care to give us enough of passionate dialogue , which Banks or Lillo were never
...
... or Lillo , retaining the process of the story , but totally omitting all the poetry of it
, all the divine features of Shakspeare , his stupendous intellect ; and only taking
care to give us enough of passionate dialogue , which Banks or Lillo were never
...
Сторінка 18
It may be said he puts on the madman ; but then he should only so far put on this
counterfeit lunacy as his own real distraction will give him leave ; that is ,
incompletely , imperfectly ; not in that confirmed , practised way , like a master of
his art ...
It may be said he puts on the madman ; but then he should only so far put on this
counterfeit lunacy as his own real distraction will give him leave ; that is ,
incompletely , imperfectly ; not in that confirmed , practised way , like a master of
his art ...
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