The Works of Charles Lamb: In Two Parts, Том 2 |
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Сторінка 2
... had the luck to please the town in any of the great characters of Shakspeare ,
with the notion of possessing a mind congenial with the poet's : how people
should come thus unaccountably to confound the power of originating poetical
images ...
... had the luck to please the town in any of the great characters of Shakspeare ,
with the notion of possessing a mind congenial with the poet's : how people
should come thus unaccountably to confound the power of originating poetical
images ...
Сторінка 6
... them , which comes not under the province of acting , with which eye , and tone
, and gesture , 6 ON SHAK SPEARE's TRAGEDIes .
... them , which comes not under the province of acting , with which eye , and tone
, and gesture , 6 ON SHAK SPEARE's TRAGEDIes .
Сторінка 8
... of stage representation , how are these things sullied and turned from their very
nature by being exposed to a large assembly ; when such speeches as Imogen
addresses to her lord , come drawling out of the mouth 3 ON SHAKSPBARE'S ...
... of stage representation , how are these things sullied and turned from their very
nature by being exposed to a large assembly ; when such speeches as Imogen
addresses to her lord , come drawling out of the mouth 3 ON SHAKSPBARE'S ...
Сторінка 9
dresses to her lord , come drawling out of the mouth of a hired actress , whose
courtship , though nominally addressed to the personated Posthumus , is
manifestly aimed at the spectators , who are to judge of her endearments and her
returns ...
dresses to her lord , come drawling out of the mouth of a hired actress , whose
courtship , though nominally addressed to the personated Posthumus , is
manifestly aimed at the spectators , who are to judge of her endearments and her
returns ...
Сторінка 10
These profound sorrows , these light - andnoise - abhorring ruminations , which
the tongue scarce dares utter to deaf walls and chambers , how can they be
represented by a gesticulating actor , who comes and mouths them out before an
...
These profound sorrows , these light - andnoise - abhorring ruminations , which
the tongue scarce dares utter to deaf walls and chambers , how can they be
represented by a gesticulating actor , who comes and mouths them out before an
...
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acting admirable affect appears beauty believe Belvil body brought character cloth comes common criticism death delight Edition English Enter Essays excellent express face feeling figure Footman genius give Hamlet hand head heart Hogarth honour hope human images imagination interest judge kind knowledge known Lady Landlord late least leave less letters living look Lord manner master mean Melesinda mind moral nature never object observation once original pass passion performed person picture play pleasure poet poor present published reader reason respect scene Second seems sense serve Shakspeare shew sort soul speak spirit stage Street strong suffer sweet tell thing thought tion true truth turn volume Waiter whole wonder