The Works of Charles Lamb: In Two Parts, Том 2C. and J. Ollier, 1818 |
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Сторінка 15
... believe , nor understand how it can be possible . We talk of Shakspeare's admirable observation of life , when we should feel , that not from a petty inquisition into those cheap and every - day characters which surrounded him , as they ...
... believe , nor understand how it can be possible . We talk of Shakspeare's admirable observation of life , when we should feel , that not from a petty inquisition into those cheap and every - day characters which surrounded him , as they ...
Сторінка 20
... Tate and Cibber , and the rest of them , that With their darkness durst affront his light , have foisted into the acting plays of Shakspeare ? I believe it impossible that he could have had a 20 ON SHAKSPEARE'S TRAGEDIES .
... Tate and Cibber , and the rest of them , that With their darkness durst affront his light , have foisted into the acting plays of Shakspeare ? I believe it impossible that he could have had a 20 ON SHAKSPEARE'S TRAGEDIES .
Сторінка 21
In Two Parts Charles Lamb. I believe it impossible that he could have had a proper reverence for Shakspeare , and have con- descended to go through that interpolated scene in Richard the Third , in which Richard tries to break his wife's ...
In Two Parts Charles Lamb. I believe it impossible that he could have had a proper reverence for Shakspeare , and have con- descended to go through that interpolated scene in Richard the Third , in which Richard tries to break his wife's ...
Сторінка 31
... believe the wondrous tale while we are reading it ; but to have a con- juror brought before us in his conjuring - gown , with his spirits about him , which none but him- self and some hundred of favoured spectators before the curtain ...
... believe the wondrous tale while we are reading it ; but to have a con- juror brought before us in his conjuring - gown , with his spirits about him , which none but him- self and some hundred of favoured spectators before the curtain ...
Сторінка 32
... of itself , but in scene - painting there is the attempt to deceive ; and there is the discordancy , never to be got over , between painted scenes and real people . ing , to make us believe that we hear those 32 ON SHAKSPEARE'S TRAGEDIES .
... of itself , but in scene - painting there is the attempt to deceive ; and there is the discordancy , never to be got over , between painted scenes and real people . ing , to make us believe that we hear those 32 ON SHAKSPEARE'S TRAGEDIES .
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The Works of Charles Lamb, Vol. 2: Poems, Plays and Miscellaneous Essays ... Charles Lamb Попередній перегляд недоступний - 2018 |
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1st Footman 1st Gentleman 1st Lady 2d Footman 2d Gentleman 2d Lady 2d Waiter acting admirable appetite beauty Belvil character cloth countenance creature death deformity delight dramatic Edition Essays express eye of mind face fancy feeling FRENCH LANGUAGE genius Gin Lane give Hamlet hang heart Hogarth Hogsflesh Honest Whore honour human humour images imagination innocence John Tomkins judge Landlord Lear less letters living Lord lover Madam melancholy Melesinda Middleton mind mirth moral Mother Damnable nature ness never Othello painter passion person PHILIP MASSINGER picture play pleasure poet poetical poetry poor published Rake's Progress reader Reflector Regent Street satire scene seems sense Serjeant Talfourd servants Shakspeare shew shewn sion sort soul speak spectators stage sweet Tamburlaine TEMPLEMAN thing THOMAS MIDDLETON thought tion tragedy truth ture virtue WILLIAM ROWLEY wonder