The Works of Charles Lamb: In Two Parts, Том 2C. and J. Ollier, 1818 |
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Сторінка 2
... Actor's genius bade them breathe anew ; Though , like the bard himself , in night they lay , Immortal Garrick call'd them back to day : And till Eternity with pow'r sublime Shall mark the mortal hour of hoary Time , Shakspeare and ...
... Actor's genius bade them breathe anew ; Though , like the bard himself , in night they lay , Immortal Garrick call'd them back to day : And till Eternity with pow'r sublime Shall mark the mortal hour of hoary Time , Shakspeare and ...
Сторінка 4
... actor , but even to identify in our minds in a perverse manner , the actor with the character which he represents . It is difficult for a frequent play- goer to disembarrass the idea of Hamlet from the person and voice of Mr. K. We ...
... actor , but even to identify in our minds in a perverse manner , the actor with the character which he represents . It is difficult for a frequent play- goer to disembarrass the idea of Hamlet from the person and voice of Mr. K. We ...
Сторінка 6
... acting plays of the same writer which have happily been left out in the performance . How far the very custom of hearing any thing spouted , withers and blows upon a fine passage , may be seen in those speeches from Henry the Fifth ...
... acting plays of the same writer which have happily been left out in the performance . How far the very custom of hearing any thing spouted , withers and blows upon a fine passage , may be seen in those speeches from Henry the Fifth ...
Сторінка 10
... actor , who comes and mouths them out before an audience , making four hundred people his confidants at once . I say not that it is the fault of the actor so to do ; he must pronounce them ore rotundo , he must accompany them with his ...
... actor , who comes and mouths them out before an audience , making four hundred people his confidants at once . I say not that it is the fault of the actor so to do ; he must pronounce them ore rotundo , he must accompany them with his ...
Сторінка 11
... actor , and without which he can never insinuate meaning into an auditory , but what have they to do with Hamlet ? what have they to do with intellect ? In fact , the things aimed at in theatrical repre- sentation , are to arrest the ...
... actor , and without which he can never insinuate meaning into an auditory , but what have they to do with Hamlet ? what have they to do with intellect ? In fact , the things aimed at in theatrical repre- sentation , are to arrest the ...
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1st Footman 1st Gentleman 1st Lady 2d Footman 2d Gentleman 2d Lady 2d Waiter acting admirable appetite beauty Belvil character cloth countenance creature death deformity delight dramatic Edition Essays express eye of mind face fancy feeling FRENCH LANGUAGE genius Gin Lane give Hamlet hang heart Hogarth Hogsflesh Honest Whore honour human humour images imagination innocence John Tomkins judge Landlord Lear less letters living Lord lover Madam melancholy Melesinda Middleton mind mirth moral Mother Damnable nature ness never Othello painter passion person PHILIP MASSINGER picture play pleasure poet poetical poetry poor published Rake's Progress reader Reflector Regent Street satire scene seems sense Serjeant Talfourd servants Shakspeare shew shewn sion sort soul speak spectators stage sweet Tamburlaine TEMPLEMAN thing THOMAS MIDDLETON thought tion tragedy truth ture virtue WILLIAM ROWLEY wonder