The Spectator: ...Phil. Crampton, 1737 |
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Сторінка 70
... Subject of this Difcourfe . The Art I mean is that of Architecture , which I fhall con- fider only with regard to the Light in which the forego . ing Speculations have placed it , without entering into thofe Rules and Maxims which the ...
... Subject of this Difcourfe . The Art I mean is that of Architecture , which I fhall con- fider only with regard to the Light in which the forego . ing Speculations have placed it , without entering into thofe Rules and Maxims which the ...
Сторінка 81
... Subject is capable of admitting , and in his Georgics has given us a Collection of the most delightful Landfkips that can be made out of Fields and Woods , Herds of Cattle , and Swarms of Bees . His OVID , in his Metamorphofes , has ...
... Subject is capable of admitting , and in his Georgics has given us a Collection of the most delightful Landfkips that can be made out of Fields and Woods , Herds of Cattle , and Swarms of Bees . His OVID , in his Metamorphofes , has ...
Сторінка 170
... Subjects or Themes of all Kinds whatsoever , on which ( with a Preamble of the extraordinary Benefit and Advantage that ... Subject given out hits their Tem- pers , pers , Humours , or Circumftances , or may be 170 The SPECTATOR . No. 442 .
... Subjects or Themes of all Kinds whatsoever , on which ( with a Preamble of the extraordinary Benefit and Advantage that ... Subject given out hits their Tem- pers , pers , Humours , or Circumftances , or may be 170 The SPECTATOR . No. 442 .
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againſt agreeable appear arife Beauty becauſe beſt Caufe Circumftances confider Confideration Converfation Courſe Cuſtom Dæmon Defcription Defign defire Delight Difcourfe diſcovered Drefs eafy Entertainment Eyes faid fame Fancy fecret feems feen felf felves fent feveral fhall fhew fhort fhould fince firft firſt fome fomething fometimes Friend ftill fuch fure give greateſt Happineſs Heart himſelf Hope Humour Imagination itſelf juft kind Lady laft lefs loft look Love manner Mind moft moſt muft muſt myſelf Nature neceffary never obferved Objects Occafion Ovid paffed Paffions Paper Perfons pleafing pleaſant pleaſed Pleaſure poffible prefent Publick Purpoſe racter raiſe Reader Reafon Reflections reft reprefented rife ſee Senfe ſeveral ſhall ſhe Sight Soul ſpeak SPECTATOR Tafte thefe themſelves ther theſe thing thofe thoſe thought thouſand tion Underſtanding uſed Virtue whofe Words worfe World write