Z. Angl. AmVEB Verlag Enzyklopädie, 2008 |
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Сторінка 346
... beginning of a novel.24 The beginning of a novel can be said to begin with the text that follows the paratextual section of a work and that introduces a fictive world or voice . Typo- graphical conventions that set off the main text ...
... beginning of a novel.24 The beginning of a novel can be said to begin with the text that follows the paratextual section of a work and that introduces a fictive world or voice . Typo- graphical conventions that set off the main text ...
Сторінка 348
... beginning as a critical and highly reflexive moment in the mediation of a story . In fact , the meta- fictional digression after the in - medias - res beginning comes close to Said's concep- tion of the beginning as the intersection of ...
... beginning as a critical and highly reflexive moment in the mediation of a story . In fact , the meta- fictional digression after the in - medias - res beginning comes close to Said's concep- tion of the beginning as the intersection of ...
Сторінка 351
... beginning of the biographical sketch The initial pattern ( i.e. , an in - medias - res beginning marked by the temporal prepo- sition " before last , " a metafictional digression , and the resumption of the story with a biographical ...
... beginning of the biographical sketch The initial pattern ( i.e. , an in - medias - res beginning marked by the temporal prepo- sition " before last , " a metafictional digression , and the resumption of the story with a biographical ...
Зміст
INGO BERENSMEYER | 13 |
ANNEJULIA ZWIERLEIN | 31 |
INGO PETERS | 49 |
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American analysis Anglistik und Amerikanistik argues argument Arthur & George audience beginning Bleak House British chapter characters Chin's Conrad construction contemporary context contrast copular sentences critical cultural diaspora Dickens discourse discussion Documentary Theatre endocentric English and German Ern Malley essay ethical event example exocentric fact factual Fahrenheit 9/11 fake fiction film frame Frank Chin gardens gender genre German Gewinner hoax human identity images interpreted ISBN issues John Joseph Conrad Kynaston language lexical linguistic literary literature London meaning Minister's Wooing Monboddo narrative narrator nominalizations nonfiction noun novel object argument passive performance person and number play political popular postmodern predicative prepositions question reader reading reality reference relational adjectives relevant role semantic social specific stage Stage Beauty story structure theory Thomas tion transitive verbs trauma Tübingen Universität University Press V-N compounds Verbatim Theatre verbs words writing