And the foolish bard, instead Of responding, only read A verse that wasn't bad upon the whole. Though she knew not what it meant, How it went: "If I should live to be The last leaf upon the tree "— (I might put in: "I think I'd just as leaf!") "Let them smile, as I do now, At the old forsaken bough " Well, he'd plagiarized it bodily, in brief! But that cat of simple breeding Couldn't read the lines between, So she took it to a leading Magazine. She was jarred and very sore When they showed her to the door. (I might hit off the door that was a jar!) To the spot she swift returned Where the poet sighed and yearned, And she told him that he'd gone a little far. "Your performance with this rhyme has Made me absolutely sick,' She remarked. "I think the time has Come to kick!" I could fill up half the page (I might say that she went a bit too fur!) She answered with a wrathful kind of purr. "You may shoo me, an' it suit you, But I feel my conscience bid Me, as tit for tat, to boot you!" (Which she did.) The Moral of the plot (Though I say it, as should not!) Is: An editor is difficult to suit. H. H. Knibbs Harry Herbert Knibbs was born at Niagara Falls, October 24, 1874. After a desultory schooling, he attended Harvard for three years when he was thirty-four. "Somebody said I took honors in English," says Knibbs, "but I never saw them." He wrote his first book, Lost Farm Camp, a novel, as a class exercise. Half a dozen volumes followed, Overland Red (1914) and Tang of Life (1917) being the most popular. In 1911, Knibbs settled in Lost Angeles, California, where he has lived ever since. In Riders of the Stars (1916) and Songs of the Trail (1920), Knibbs carries on the tradition of Bret Harte and the Pike County Ballads. High-hearted verse this is, with more than an occasional flash of poetry. To the typical Western breeziness, Knibbs adds a wider whimsicality, a rough-shod but nimble imagination. THE VALLEY THAT GOD FORGOT Out in the desert spaces, edged by a hazy blue, Davison's face was leather; his mouth was a swollen blot, His mind was a floating feather, in The Valley That God Forgot; Wild as a dog gone loco, Or sullen or meek, by turns, Gold! Why his, for the finding! But water was never found, Save in deep caverns winding miles through the under There was Shorty who owed him money, and Billing who bossed the crowd; And Steve whom the boys called "Sunny," and Collins who talked so loud: Miguel with the handsome daughter, And the rustler, Ed McCray; And offered him gold, in pay. Gold? It was never cheaper. And Davison shook his head: The price of a drink is steeper out here than in town," he said. He laughed as they mouthed and muttered I'm through!" And he knelt and fumbled the his dry canteen Then, rising, he swayed and stumbled into a black ravine: His ghostly comrades followed, For Davison's end was near, And a shallow grave they hollowed, When up from it, cool and clear Bubbled the water-hidden a pick-stroke beneath the sand; Davison, phantom-ridden, scooped with a shaking hand Davison swears they made it, And won-so the town-folk say: Called it, The Morning-Glory-near those abandoned stamps, And Davison's crazy story was told in a hundred camps: Time and the times have tamed it, His yarn-and this desert spot, But I'm strong for the man who named it, ROLL A ROCK DOWN Oh, out in the West where the riders are ready, It's a high, rocky trail with its switch-backs and doubles, It has no beginning and never an end: It's risky and rough and it's plumb full of troubles, From Shifty-that's shale-up to Powder Cut Bend. Old-timers will tell you the rangers who made it, Sang "Roll A Rock Down," with a stiff upper lip, And cussed all creation, but managed to grade it; With a thousand-foot drop if a pony should slip. |