Renaissance PapersSoutheastern Renaissance Conference, 1973 |
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Сторінка 13
... Scene iii begins with the entrance of Bosola to an area out- side of the Duchess ' palace . F. L. Lucas indicates that he carried a “ dark lanthorn " which " would suffice to imply night to the audience in the public theatre . " 7 It ...
... Scene iii begins with the entrance of Bosola to an area out- side of the Duchess ' palace . F. L. Lucas indicates that he carried a “ dark lanthorn " which " would suffice to imply night to the audience in the public theatre . " 7 It ...
Сторінка 14
... scene , however , is dependent upon a dark- ened stage for its effectiveness . Early in Act V ( Scene ii ) the Cardinal tells Bosola to come to him " after midnight " to remove Julia's body . Scene iv , which W. J. Lawrence uses as an ...
... scene , however , is dependent upon a dark- ened stage for its effectiveness . Early in Act V ( Scene ii ) the Cardinal tells Bosola to come to him " after midnight " to remove Julia's body . Scene iv , which W. J. Lawrence uses as an ...
Сторінка 52
... scene just dis- cussed , shows her in direct contrast to Virgilia , who represents the norm of accepted womanly behavior in the play . Virgilia's actions are always in line with Renaissance precepts of feminine conduct ; Volumnia's are ...
... scene just dis- cussed , shows her in direct contrast to Virgilia , who represents the norm of accepted womanly behavior in the play . Virgilia's actions are always in line with Renaissance precepts of feminine conduct ; Volumnia's are ...
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