 | John Dryden, Edmond Malone - 1800 - 634 стор.
...Shakspcare or Fletcher, (for Ben Jonson's arc for the most part regular,) there is a more masculine fancy and greater spirit in the writing, than there is in any of the French. I could produce even in Shakspcarc's and Fletcher's works, some plays which are almost exactly formed;... | |
 | John Dryden - 1800 - 624 стор.
...Shakspeare or Fletcher, (for Ben Jonson's are for the most part regular,) there is a more masculine fancy and greater spirit in the writing, than there is in any of the French. I could produce even in Shakspeare's and Fletcher's works, some plays which are almost exactly formed... | |
 | John Dryden, Walter Scott - 1808 - 432 стор.
...Shakespeare or Fletcher, (for Ben Jonson's are for the most part regular,) there is a more masculine fancy, and greater spirit in the writing, than there is in any of the French. I could produce even in Shakespeare's and Fletcher's works, some plays which are almost exactly formed;... | |
 | 1845 - 816 стор.
...Shakspeare and Fletcher, (for Ben Jonson's are for the most part regular,) there is a more masculine fancy and greater spirit in the writing, than there is in any of the French. For a pattern of a perfect play, he is proposing to examine " the Silent Woman " of Jonson, the most... | |
 | John Dryden, Walter Scott - 1821 - 432 стор.
...Shakespeare or Fletcher, (for Ben Jonson's are for the most part regular), there is a more masculine fancy, and greater spirit in the writing than there is in any of the French. I could produce, even in Shakespeare's and Fletcher's works, some plays which are almost exactly formed... | |
 | George Walker - 1825 - 668 стор.
...Shakspeare or Fletcher, for Ben Jonson's are for the most part regular, there is a more masculine fancy and greater spirit in the writing, than there is in any of the French. I could produce even in Shakspeare's and Fletcher's works, some plays which are almost exactly formed... | |
 | John Dryden, John Mitford - 1836 - 488 стор.
...Shakspeare or Fletcher, (for Ben Jonson's are for the most part regular,) there is a more masculine fancy, and greater spirit in the writing, than there is in any of the French. I could produce, even in Shakspeare's and Fletcher's works, some plays which are almost exactly formed... | |
 | 1845 - 816 стор.
...Shakspeare and Fletcher, (for Ben Jonson's are for the most part regular,) there is a more masculine fancy and greater spirit in the writing, than there is in any of the French. For a pattern of a perfect play, he is proposing to examine " the Silent Woman " of Jousou, the most... | |
 | 1845 - 842 стор.
...Shakspeare and Fletcher, (for Ben Jonson's are for the most part regular,) there is a more masculine fancy and greater spirit in the writing, than there is in any of the French. For a pattern of a perfect play, he is proposing to examine " the Silent Woman " of Jonson, the most... | |
 | John Dryden - 1859 - 482 стор.
...Shakspeare or Fleteher, (for Ben Jonson's are for the tnost part regular,) there is a mure masculine fancy, and greater spirit in the writing, than there is in any of ihe French. I could produce, even in Shakspeare's and Fleteherss works, some plays which are almost... | |
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First, that we have many plays of ours as regular as any of theirs, and which besides have more variety of plot and characters; and secondly, that in most of the irregular plays of Shakespeare or Fletcher (for Ben Jonson's are for the most part regular)... 
