The Cartoon Music BookDaniel Goldmark, Yuval Taylor A Cappella, 2002 - Всего страниц: 320 The popularity of cartoon music, from Carl Stalling’s work for Warner Bros. to Disney sound tracks and The Simpsons’ song parodies, has never been greater. This lively and fascinating look at cartoon music’s past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for Rugrats, Alf Clausen about composing for The Simpsons, Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott’s work, Will Friedwald about Casper the Friendly Ghost, Richard Stone about his music for Animaniacs, Joseph Lanza about Ren and Stimpy, and much, much more. |
Содержание
Music and the Animated Cartoon | 9 |
An Episodic History | 15 |
An Interview with Carl Stalling | 36 |
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Часто встречающиеся слова и выражения
action arranged audience Bambi band bar sheet beat Bob Clampett Bruns Carl Stalling cartoon music cartoon score Chuck Jones classical music comedies concert conductor created cues Daum dialogue Disney studio Disney's Dumbo early Disney earphones exposure sheets Fantasia Fantasound Fleischer frames Frank Churchill Funnyworld gags Harline's Hollywood Hoyt Curtin improvised jazz Kansas City Leigh Harline live-action Melody Mickey Mouse Mickey Mouse shorts Mike Barrier movie music for cartoons musical director musician orchestra original Paul Smith phonies pianist piano picture Pinocchio played player popular music poser pre-scored Raymond Scott record the music scene Scott Bradley screen sequence Silly Sym Silly Symphonies Skeleton Dance Snow White songwriters sound effects soundtrack Stalling's Steamboat Willie Stokowski story synchronization theater theme tick toon Treg Brown ture Ub Iwerks underscoring visual voice Wallace Walt Disney Walt's wanted Warner Bros Warner cartoons Wilfred Jackson William Lava wrote