POSTSCRIPT. HALF-HOURS WITH THE BEST AUTHORS' appeared, in the course of periodical publication, without a Preface. The Editor feels it necessary, in completing the Series, to record the purpose with which he undertook it, and to add a few remarks on the mode in which he has endeavoured to work out his intentions. 66 6 In the announcement of 'HALF-HOURS' the Editor said, Elegant Extracts' have opened to many an eminent man the gates of our literature. Judiciously chosen, they may effect more good than they have effected. We turn to the six bulky volumes so entitled, which were the delight of our boyhood, and we find a collection, not of the imperishable treasures of our great writers, but for the most part of the tenth-rate authors of the 18th century. Not a fragment of a poem of the 16th and 17th centuries, with the exception of a few scraps from Shakspere, Milton, and Dryden, is to be found in the thousand pages of Extracts in Poetry from the most approved Authors.' It is the same with the prose writers. Two unpretending volumes, 'Select Beauties of Ancient English Poetry,' by Henry Headley, A.B., were published about the same time as the Elegant Extracts in Poetry,' with this motto, most appropriate to the age-The monument of banished minds.' The approved authors' were Parnell, and Mason, and Anne Yearsley, and Mallett, and Merrick, and Pitt: the banished minds' were Spenser, and W. Brown, and Carew, and Daniel, and Drummond, and Drayton, and Fletcher, and Quarles, and Wither. The great writers of our own day have sent us back to the great writers of our golden age. For this reason alone a new collection is required, which should represent our present literary tastes, both in what is Ancient and what is Modern. But there is another reason which has induced the Editor to prepare 'HALF-HOURS WITH THE BEST AUTHORS.' Every collection of Extracts that he has seen contains a vast mass of scraps, which give but a very imperfect notion of the intellectual feast which is to be found in the 'best authors.' His plan is therefore to confine his selection, whether in POETRY or PROSE, to pieces of sufficient length to occupy half an hour's ordinary reading, or to pieces which can be so connected by the Editor as to supply the same amount of instruction and amusement. Each extract will occupy about six pages of a volume of between five and six hundred pages; so that the four volumes will contain half an hour's reading for every day in the year. Every seventh day, or chapter, will be selected from some religious writer of universal acceptation and authority." The work, thus completed within the assigned limits, contains nearly 2300 pages. Thus, the 365 chapters average more than six pages each. The larger extracts, forming distinct Half-Hours,' are selected from about 260 different writers. In the smaller pieces, which are grouped under some general head, will be found selections from about 40 writers who have not contributed to the larger extracts. The work, therefore, contains specimens of three hundved various writers. Of these three hundred writers, about forty are living. With two or three exceptions, the Editor has not taken more than one extract from those who still wear their laurel wreath without the cypress. But, while he acknowledges with gratitude the interest which this portion of the selection has imparted to these volumes, he feels that an apology is due to all those from whom he has borrowed without a distinct permission. During a somewhat long course of exertion to diffuse knowledge as widely as possible, he has always felt that the system, which has been too prevalent, of seizing, without stint, upon literary property, to give value to some ephemeral miscellany, was a fraud and an insult. Beyond the fair limits of extract for honest criticism, or illustration, the productions of mind ought to be as sacredly fenced round by the laws and customs of society as any material possession. The Editor ventures to hope that he has not passed these fair limits. The Editor has a word or two to add upon the "short biographical and critical notices" which precede the larger extracts. Their brevity must necessarily render them incomplete and unsatisfactory; but they have not been written without serious thought and an earnest desire to be just. There are many who will differ from the Editor in his estimate of some writers, particularly of the more recent. But of one fault he is not likely to be accused-that of a cold and depreciating estimate of those whom he has selected as 'The Best Authors.' If his admiration should appear too hearty, he may best excuse himself by saying that the nil admirari" never appeared to him the great principle of mental satisfaction; and that, even with Horace against him, he is content to bear with the imputation, in such matters, of being "One who loved not wisely, but too well." November 25, 1848. INDEX. In this Index each Extract will be found under the name of the respective ADDISON, Joseph, Notice of, i. 74; Sir Anacreon, i. 389. The Nut-Brown Maid, i. 350. It will never do to be Idle, ii. 191. The Merry Devil of Edmonton, ii. 267. Chevy Chase, iii. 267. Shipwreck of the Medusa French Fri- The Heir of Linne, iii. 404. between the Parishes of St. Dennis 216; i. 431; i. 485; i. 573; ii. 237; ANSON, Lord, Notice of, iv. 124; Mor- Arne, Britain's best Bulwarks are her ARNOLD, Dr., Notice of, i. 167; Classical ARNOTT, Dr., Notice of, i. 125; The Baro- ASCHAM, Roger, Notice of, ii. 95; Pre- AUDUBON, John James, Notice of, iii. 547 ; AUSTEN, Jane, Notice of, iv. 559; The AUTUMNAL FIELD SPORTS, iii. 433. BACON, Francis Lord, Notice of, i. 96; BALLADS, iv. 262. BANCROFT, George, Notice of, iii. 31; John Barnard, Lady Anne, Auld Robin Gray, BARROW, Isaac, Notice of, i. 224; The BEATTIE, James, Notice of, iv. 295; Scot- BEAUMONT AND FLETCHER, Notice of, iii. BERKELEY, Bishop, Notice of, iv. 351; BEVERIDGE, Bishop, Notice of, i. 513; BIRDS, i. 388. Bloomfield, Robert, iii. 148. BOCCACCIO, Notice of, ii. 34; Griselda, ii. BROOKE, Henry, Notice of, iii. 34; The Browne, William, i. 437; i. 482. BROWNE, Sir Thomas, Notice of, iii. 48; Bryant, W. C., i. 42; ii. 21; ii. 167. BURKE, Edmund, Notice of, ii. 302; The BURNET, Gilbert, Notice of, iv. 550; BURTON, Robert, Notice of, iii. 495; Re- medies of Discontent, iii. 496. BYRON, Lord, Notice of, iv. 304; Art and CAMPBELL, Dr. George, Notice of, i. 365; CAMPBELL, Thomas, Notice of, iv. 111; Thomas Chatterton, iv. 111. Campbell, Thomas, i, 243; Ye Mariners CANNING, George, Notice of, i. 70; Speech Work, i. 476; Naseby Field, ii. 449. Death of Cardinal Wolsey, i. 564; The CECIL, Rev. Richard, Notice of, iv. 356; The Influence of the Parental Cha- CHANNING, William Ellery, Notice of, CHARLES II., his Escape after the Battle CHENEVIX, Richard, The Industry of the CLARENDON, Earl of, Notice of, 499; The Fall of the Marquis of Montrose, i. CLOUDS AND WINDS, iii. 190. Ambassador, i. 65; John Kemble, i. 67; Coleridge, Hartley, Parver the Quaker, Coleridge, Henry, Description of Cole- Collins, Ode to Evening, i. 573. COLTON, Rev. C. C., Notice of, iv. 96; Colton, Rev. C. C., Perfection, i. 66; COMBE, Andrew, Notice of, ii. 250; Men- tal Stimulus necessary to Exercise, ii. COMINES, Philip de, Notice of, ii. 341; The Character of Louis XI., ii. 341. Corbet, Bishop, Fairies, iv. 557. COURIER, Paul Louis, Notice of, i. 32; A COWLEY, A., Notice of, iii. 154; The Vi- Cowley, i. 571; ii. 235. CowPER, W., Notice of, iii. 13; On the Cowper, ii. 15; Fashion, ii. 448; Genius, ii. 449. CULLUM, Sir John, Notice of, ii. 181; An Elizabethan Country House, ii. 182. CUNNINGHAM, Allan, Notice of, iv. 35; Robin Hood, iv. 36; Songs, iv. 386. Crabbe, Rev. George, jun., Crabbe and Croker, J. W., Goldsmith, i. 64. DAMPIER, W., Notice of, ii. 73; The Daniel, Sonnets, iv. 545. DANTE, Notice of, iii. 366; The Divina D'AUBIGNE, J. H. M., Movement of the DAVIES, Sir John, Notice of, iv. 320; False and True Knowledge, iv. 320. DAVY, Rev. Charles, The Great Earth- DE BURY, Richard, Notice of, i. 582; |