The Language of Post-modern ArchitectureAcademy Editions, 1984 - 168 стор. A classic account which, when written in 1977, was the first to define post-modernism in architecture, an event which led to subsequent adoption of the term in many other fields. It is the story of the failure of modern architecture to communicate with its users and the attempt of post-modernists to overcome this failure with a richer, more widely shared language--post-modern classicism. This edition (5th in 1987) brings the account, and the great illustrations, up to date. 101/4x121/2". Annotation copyrighted by Book News, Inc., Portland, OR |
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Загальні терміни та фрази
abstract aesthetic Aldo Rossi Arata Isozaki arches archi architects Architectural Design articulate basic become Bofill brick building centre Charles Moore codes collage colour column concrete construction context contrast conventional Corbusier detail developed door Doric eclectic eclecticism elements entrance facade flat Free-Style Classicism function garden grid HANS HOLLEIN historical Hollein Hotel interior International Style Italian James Stirling kitsch Krier language Le Corbusier London look Mario Botta meaning metaphor metaphysics MICHAEL GRAVES Mies mixed modern architecture modern movement Modernist monument motifs Museum Opposite ornament pastiche patterns pediment Philip Johnson piazza pitched roof popular Post-Modern Architecture Post-Modern Classicism Post-Modernists public realm Radical Eclecticism recognisable Robert Stern Robert Venturi scale scheme semantic semiotic signify signs Smithsons social society Stanley Tigerman steel street Sydney Opera House symbolic symbolised syntax taste cultures tecture temple traditional transformation Tuscan urban various vernacular Villa visual wall
Посилання на книгу
After the Great Divide: Modernism, Mass Culture, Postmodernism Andreas Huyssen Обмежений попередній перегляд - 1986 |

