One Hundred Years of Violoncello: A History of Technique and Performance Practice, 1740-1840Cambridge University Press, 19 серп. 2004 р. - 328 стор. This is the first book to address the full range of performance issues for the cello from the Baroque to the early Romantic period. The development of playing techniques and stylistic transitions are traced regionally through a comparison of Italian, French, German, English, and East European performance traits. Through a close study of contemporary violoncello methods, music, early instruments, periodicals, diaries, letters and pictures, Walden provides a cohesive overview which examines construction methods for instruments and bows, fingering and bowing techniques, special effects and ornamentation, accompanying skills and the stylistic preferences of the most famous soloists. Richly illustrated with over 300 music examples, plates and figures, this book provides playing instructions which can easily be applied by modern players to their own performance of period music. |
Зміст
Development of the violoncello the bow and notation | 49 |
The bow grip and instrument hold | 79 |
The development of fingering techniques | 106 |
Bow strokes and their execution | 146 |
Special effects | 182 |
Rules of ornamentation | 215 |
The art of accompaniment | 241 |
Elements of aesthetics and style | 270 |
| 301 | |
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One Hundred Years of Violoncello: A History of Technique and Performance ... Valerie Walden Попередній перегляд недоступний - 1998 |
Загальні терміни та фрази
accompaniment Adagio Allegro Anton Kraft appoggiaturas arpeggios Baillot bars bass Baudiot Baumgartner Beethoven Bernhard Romberg Boccherini Bohrer bow grip bow stroke Bréval cadence cello chamber music chords clef composed compositions Concert Spirituel concerto Corde Corrette Crosdill Cupis demonstrated Dotzauer double-stops down-bow eighteenth century endpin execution Fétis Filtz fingerboard fourth finger Franchomme French violoncellists frog hand position harmonics Haydn Hus-Desforges Ibid illustrated instructions instrument Italian J. L. Duport James Cervetto Janson Kraft Kummer Lamare Lanzetti Le violoncelle Lindley London luthiers major Mannheim melody Merk Méthode mordent musicians neck nineteenth century notation notes numerous octave opera orchestra ornaments Paris passage patterns performance piano pitch placed players playing portamento Quantz quartet Romberg Schetky School slur groupings slurred staccato solo soloist Sonata sound Stiastny Stradivari style technique thumb position Tillière tion tone Tourte Tricklir trill tutors Vaslin vibrato Vienna viola da gamba violin violinist violoncelle violoncellists violoncello method Violonzell-Schule virtuoso