Goya, the Origins of the Modern Temper in Art

18th-century achieve action appear artist attitude background Baroque battle becomes beginning Black Paintings body called Caprichos century certainly changed character color comparable composition contemporaries conventional corpse darkness David death decorative direct Disasters earlier effect element entirely equally essential existence experience expression face fact Family feel figure forces frame French given gives Goya Goya's hand head human ideal important individual interest interpretation Italy landscape late later light live longer look Madrid manner Marquesa matter meaning moral Museum nature never object observed once origins painter Perhaps picture Plate play political portrait portraiture pose position possible present reality relationship religious remains Rembrandt represented revealed scene seems sense setting similar sitters social space Spain Spanish stands tapestry theme things Third tradition true turn understanding universe Velázquez vision